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Average One Directory 13
Page 01
Some of Charles's counselors and ministers of state were disposed at first to remonstrate with him for laying commands on his wife, with which, as they expressed it, flesh and blood could not comply. He, however, peremptorily silenced all their expostulations, and required them, as they valued his favor, to aid him in effecting his purposes. Good natured as he was, his determination was fully aroused, and he was now resolved to compel the queen to submit. He wrote a letter to Lord Clarendon, in which he declared his absolute and unalterable determination to make Lady Castlemaine "of the queen's bed chamber," and hoped he might be miserable in this world and in the world to come if he failed in the least degree in what he had undertaken; and if any one of his friends attempted to thwart or impede him in it in any way, he would make him repent of it as long as he lived. The king concluded his letter with asking Clarendon to show it to some others concerned, that they might all understand distinctly what they were to expect.
In the course of them, as is well known, masters and slaves were supposed to be on an equality; indeed, the former waited on the latter.[4] Presents were mutually given and received, as Christmas presents in these days. Towards the end of the feast, when the sun was on its return, and the world was considered to be renovated, a king or ruler was chosen, with considerable power granted to him during his ephemeral reign, whence may have sprung some of the Twelfth-Night revels, mingled with those in honour of the Manifestation and Adoration of the Magi. And, in all probability, some other Christmas customs are adopted from the festivals of the ancients, as decking with evergreens and mistletoe (relics of Druidism) and the wassail bowl. It is not surprising, therefore, that Bacchanalian illustrations have been found among the decorations in the early Christian Churches. The illustration on the following page is from a mosaic in the Church of St. Constantine, Rome, A.D. 320.
The Death of the Virgin is the last of the six chapels inside the church itself. The Apostles, who of course are present, have all of them real hair, but, if I may say so, they want a wash and a brushup so very badly that I cannot feel any confidence in writing about them. I should say that, take them all round, they are a good average sample of apostle as apostles generally go. Two or three of them are nervously anxious to find appropriate quotations in books that lie open before them, which they are searching with eager haste; but I do not see one figure about which I should like to say positively that it is either good or bad. There is a good bust of a man, matching the one in the Birth of the Virgin chapel, which is said to be a portrait of Giovanni d'Enrico, but it is not known whom it represents.
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