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Reynolds was well-grounded in Venetian color, Bolognese composition, Parmese light-and-shade, and paid them the homage of assimilation; but if Gainsborough (1727-1788) had such school knowledge he positively disregarded it. He disliked all conventionalities and formulas. With a natural taste for form and color, and with a large decorative sense, he went directly to nature, and took from her the materials which he fashioned into art after his own peculiar manner. His celebrated Blue Boy was his protest against the conventional rule of Reynolds that a composition should be warm in color and light. All through his work we meet with departures from academic ways. By dint of native force and grace he made rules unto himself. Some of them were not entirely successful, and in drawing he might have profited by school training; but he was of a peculiar poetic temperament, with a dash of melancholy about him, and preferred to work in his own way. In portraiture his color was rather cold; in landscape much warmer. His brush-work was as odd as himself, but usually effective, and his accessories in figure-painting were little more than decorative after-thoughts. Both in portraiture and landscape he was one of the most original and most English of all the English painters--a man not yet entirely appreciated, though from the first ranked among the foremost in English art.
In 1127 Henry invited the king of the Scots to Windsor to join in the royal celebration of Christmas, but the festivities were marred by an unseemly quarrel between the two primates. Thurstan, Archbishop of York, encroaching upon the privileges of his brother of Canterbury (William de Corbeuil), insisted upon placing the crown upon the king's head ere he set out for church. This the partisans of Canterbury would not allow, settling the matter by turning Thurstan's chaplain and followers out of doors, and thereby causing such strife between the heads of the Church that they both set off to Rome to lay their grievances before the Pope. And, subsequently, appeals to Rome became frequent, until a satisfactory adjustment of the powers and privileges of the two archbishops was arrived at. The Archbishop of Canterbury was acknowledged Primate of all England and Metropolitan; but, while the privilege of crowning the sovereign was reserved for the Archbishop of Canterbury, that of crowning the Queen Consort was given to the Archbishop of York.
During a conversation with Drs. Forsythe and Dale, of Cambridge, England, I asked particularly as to their experience with the Japanese students who had been there to study. They both remarked on the fact that all Japanese students were easily influenced by those with whom they customarily associated; so much so that, within a short time, they acquired not only the cut of coats and trousers, but also the manner and accent, of those with whom they lived. It was amusing, they said, to see what transformations were wrought in those who went to the Continent for their long vacations. From France they returned with marked French manners and tones and clothes, while from Germany they brought the distinctive marks of German stiffness in manner and general bearing. It was noted as still more curious that the same student would illustrate both variations, provided he spent one summer in Germany and another in France.
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