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In France, in the beginning of this century Watteau, 1684-1721, painted his interesting pictures of _La Belle Societe_, reproducing the court life, costumes, and manners of the reign of Louis XIV. with fidelity, grace, and vivacity. Later in the century, Greuze, 1725-1805, with his attractive, refined, and somewhat mannered style, had a certain influence. Claude Vernet, 1714-1789, and David, 1748-1825, each great in his way, influenced the nineteenth as well as the eighteenth century. Though Vien, 1716-1809, made a great effort to revive classic art, he found little sympathy with his aim until the works of his pupil David won recognition from the world of the First Empire.
This Government has carefully noted the explanatory statement issued by the Imperial German Government at the same time with the proclamation of the German Admiralty, and takes this occasion to remind the Imperial German Government very respectfully that the Government of the United States is open to none of the criticisms for unneutral action to which the German Government believes the Governments of certain other neutral nations have laid themselves open; that the Government of the United States has not consented to or acquiesced in any measures which may have been taken by the other belligerent nations in the present war which operate to restrain neutral trade, but has, on the contrary, taken in all such matters a position which warrants it in holding those Governments responsible in the proper way for any untoward effects on American shipping which the accepted principles of international law do not justify; and that it, therefore, regards itself as free in the present instance to take with a clear conscience and upon accepted principles the position indicated in this note.
Browning, on the other hand, kept his raptures and his processes severely to himself. He never seems to have given the smallest hint as to how he conceived a poem or worked it out. He was as reticent about his occupation as a well-bred stockbroker, and did his best in society to give the impression of a perfectly decorous and conventional gentleman, telling strings of not very interesting anecdotes, and making a great point of being ordinary. Indeed, I believe that Browning was haunted by the eighteenth-century idea that there was something not quite respectable about professional literature, and that, like Gray, he wished to be considered a private gentleman who wrote for his amusement. When in later years he took a holiday, he went not for secret contemplation, but to recover from social fatigue. Browning is really one of the most mysterious figures in literature in this respect, because his inner life of poetry was so entirely apart from his outer life of dinnerparties and afternoon calls. Inside the sacred enclosure, the winds of heaven blow, the thunder rolls; he proclaims the supreme worth of human passion, he dives into the disgraceful secrets of the soul: and then he comes out of his study a courteous and very proper gentleman, looking like a retired diplomatist, and talking like an intelligent commercial traveller--a man whose one wish appeared to be as good-humouredly like everyone else as he conveniently could.
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