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Average One Directory 02
Page 01
On receipt of this reply, sixty mounted soldiers, armed and provisioned, were sent over to the Cibicu to put a stop to the dancing. Apache scouts had been stationed to watch the manoeuvres of the Indians and to keep the officials informed. They met the troopers, who made a night ride to the stream, and informed them where the old medicine-man was encamped. Early in the morning the soldiers reached the Cibicu at a point about two miles above Nabakelti's camp, whence a detachment was despatched to arrest the medicine-man and bring him to the place where headquarters were being established. It was the intention merely to arrest and hold him while the troops rested for the day, preparatory to taking him back to the fort; but it was deemed necessary to send a force sufficiently large to cope with the Indians should they attempt resistance.
Here we meet with Wouverman (1619-1668), a painter of horses, cavalry, battles, and riding parties placed in landscape. His landscape is bright and his horses are spirited in action. There is some mannerism apparent in his reiterated concentration of light on a white horse, and some repetition in his canvases, of which there are many; but on the whole he was an interesting, if smooth and neat painter. Paul Potter (1625-1654) hardly merited his great repute. He was a harsh, exact recorder of facts, often tin-like or woodeny in his cattle, and not in any way remarkable in his landscapes, least of all in their composition. The Young Bull at the Hague is an ambitious piece of drawing, but is not successful in color, light, or _ensemble_. It is a brittle work all through, and not nearly so good as some smaller things in the National Gallery London, and in the Louvre. Adrien van de Velde (1635?-1672) was short-lived, like Potter, but managed to do a prodigious amount of work, showing cattle and figures in landscape with much technical ability and good feeling. He was particularly good in composition and the subtle gradation of neutral tints. A little of the Italian influence appeared in his work, and with the men who came with him and after him the Italian imitation became very pronounced. Aelbert Cuyp (1620-1691) was a many-sided painter, adopting at various times different styles, but was enough of a genius to be himself always. He is best known to us, perhaps, by his yellow sunlight effects along rivers, with cattle in the foreground, though he painted still-life, and even portraits and marines. In composing a group he was knowing, recording natural effects with power; in light and atmosphere he was one of the best of his time, and in texture and color refined, and frequently brilliant. Both (1610-1650?), Berchem (1620-1683), Du Jardin (1622?-1678), followed the Italian tradition of Claude Lorrain, producing semi-classic landscapes, never very convincing in their originality. Van der Heyden (1637-1712), should be mentioned as an excellent, if minute, painter of architecture with remarkable atmospheric effects.
These great reforms naturally excited the most violent opposition, and the Patricians induced some of the Plebeians to put their veto upon the measures of their colleagues. But Licinius and Sextius were not to be baffled in this way, and they exercised their veto by preventing the Comitia of the Centuries from electing any magistrates for the next year. Hence no Consuls, Military Tribunes, Censors, or Quaestors could be appointed; and the Tribunes of the Plebs and the AEdiles, who were elected by the Comitia of the Tribes, were the only magistrates in the state. For five years did this state of things continue. C. Licinius and L. Sextius were re-elected annually, and prevented the Comitia of the Centuries from appointing any magistrates. At the end of this time they allowed Military Tribunes to be chosen in consequence of a war with the Latins; but so far were they from yielding any of their demands, that to their former Rogations they now added another: That the care of the Sibylline books, instead of being intrusted to two men (duumviri), both Patricians, should be given to ten men (decemviri), half of whom should be Plebeians.
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