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Average One Directory 01
Page 07
The Latins had, as already stated, renewed their league with Rome in B.C. 356, and consequently their troops had fought along with the Romans in the war against the Samnites. But the increasing power of Rome excited their alarm; and it became evident to them that, though nominally on a footing of equality, they were, in reality, becoming subject to Rome. This feeling was confirmed by the treaty of alliance which the Romans had formed with the Samnites. The Latins, therefore, determined to bring matters to a crisis, and sent two Praetors, who were their chief magistrates, to propose to the Romans that the two nations should henceforth form one state; that half of the state should consist of Latins, and that one of the two Consuls should be chosen from Latium. These requests excited the greatest indignation at Rome, and were rejected with the utmost scorn. The Senate met in the Temple of Jupiter, in the Capitol, to receive the Latin deputation, and, after hearing their proposals, the Consul, T. Manlius Torquatus, the same who had slain the Gaul in single combat, declared that, if the Republic should cowardly yield to these demands, he would come into the senate-house sword in hand and cut down the first Latin he saw there. The tale goes on to say that in the discussion which followed, when both parties were excited by anger, the Latin Praetor defied the Roman Jupiter; that thereupon an awful peal of thunder shook the building; and that, as the impious man hurried down the steps from the temple, he fell from top to bottom, and lay there a corpse.
The eagle in all cases uses one nest, with more or less repair, for several years. Many of our common birds do the same. The birds may be divided, with respect to this and kindred points, into five general classes. First, those that repair and appropriate the last year's nest, as the wren, swallow, blue-bird, great-crested flycatcher, owls, eagles, fish-hawk, and a few others. Secondly, those that build anew each season, though frequently rearing more than one brood in the same nest. Of these, the phoebe-bird is a well-known example. Thirdly, those that build a new nest for each brood, which includes by far the greatest number of species. Fourthly, a limited number that make no nest of their own, but appropriate the abandoned nests of other birds. Finally, those who use no nest at all, but deposit their eggs in the sand, which is the case with a large number of aquatic fowls. Thus the common gull breeds in vast numbers on the sand bars or sand islands off the south coast of Long Island. A little dent is made in the sand, the eggs are dropped, and the old birds go their way. In due time the eggs are hatched by the warmth of the sun, and the little creatures shift for themselves. In July countless numbers of them, of different ages and sizes, swarm upon these sandy wastes. As the waves roll out, they rush down the beach, picking up a kind of sea gluten, and then hasten back to avoid the next breaker.
This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.
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