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The Etruscans now proceeded to lay siege to the city, which soon began to suffer from famine. Thereupon a young Roman, named C. Mucius, resolved to deliver his country by murdering the invading king. He accordingly went over to the Etruscan camp; but, ignorant of the person of Porsena, killed the royal secretary instead. Seized and threatened with torture, he thrust his right hand into the fire on the altar, and there let it burn, to show how little he heeded pain. Astonished at his courage, the king bade him depart in peace; and Mucius, out of gratitude, advised him to make peace with Rome, since three hundred noble youths, he said, had sworn to take the life of the king, and he was the first upon whom the lot had fallen. Mucius was henceforward called Scaevola, or the _Left-handed_, because his right hand had been burnt off. Porsena, alarmed for his life, which he could not secure against so many desperate men, forthwith offered peace to the Romans on condition of their restoring to the Veientines the land which they had taken from them. These terms were accepted, and Porsena withdrew his troops from the Janiculum after receiving ten youths and ten maidens as hostages from the Romans. Cloelia, one of the maidens, escaped from the Etruscan camp, and swam across the Tiber to Rome. She was sent back by the Romans to Porsena, who was so amazed at her courage that he not only set her at liberty, but allowed her to take with her those of the hostages whom she pleased.
The graphic art of the Apache finds expression chiefly in ceremonial paintings on deerskin, and in basketry. Only rarely have they made pottery, their roving life requiring utensils of greater stability. Such earthenware as they did make was practically the same as that of the Navaho, mostly in the form of small cooking vessels. Usually the pictures are painted on the entire deerskin, but sometimes the skin is cut square, and at others ceremonial deerskin shirts are symbolically painted. Occasionally the Apache attempts to picture the myth characters literally; at other times only a symbolic representation of the character is made. In addition to the mythic personages, certain symbols are employed to represent the incident of the myth. These paintings are made under the instruction of a medicine-man and are a part of the medicine paraphernalia. On some skins the most sacred characters in Apache mythology are represented symbolically--Naye{~COMBINING BREVE~}nezgani, the War God; Tubadzischi{~COMBINING BREVE~}ni, his younger brother; Kuterastan, the Creator of All; Stenatlihan, the chief goddess. In fact the symbolism on an elaborately painted deerskin may cover every phase of Apache cosmology.
Tarquin commenced his reign without any of the forms of election. One of his first acts was to abolish all the privileges which had been conferred upon the Plebeians by Servius. He also compelled the poor to work at miserable wages upon his magnificent buildings, and the hardships which they suffered were so great that many put an end to their lives. But he did not confine his oppressions to the poor. All the senators and patricians whom he mistrusted, or whose wealth he coveted, were put to death or driven into exile. He surrounded himself with a body-guard, by whose means he was enabled to carry out his designs. But, although a tyrant at home, he raised the state to great influence and power among the surrounding nations, partly by his alliances and partly by his conquests. He gave his daughter in marriage to Octavius Mamilius, of Tusculum, the most powerful of the Latins, by whose means he acquired great influence in Latium. Any Latin chiefs like Turnus Herdonius, who attempted to resist him, were treated as traitors, and punished with death. At the solemn meeting of the Latins at the Alban Mount, Tarquin sacrificed the bull on behalf of all the allies, and distributed the flesh to the people of the league.
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